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VISUAL SCENOGRAPHY: Special exhibition: Anti Anti 2.0: Title graphic ‘Conspiracy Narratives’ on a black background; diagonal typography as a visual intervention that challenges existing narratives.
VISUAL Scenography: Special exhibition: Anti Anti 2.0: A vertical installation featuring bright orange ribbons and weights (kettlebells); information panels attached to them mark a station within the permanent exhibition and create visual focal points within the space.
VISUELL Scenography: Special exhibition: Anti Anti 2.0: A vertical installation featuring bright orange ribbons; attached to these are black and white information panels featuring typography
Project

Scenography, Intervention, Communication Design 

Client

House of History Baden-Württemberg

Location

varying work locations

Year

2025

Services

Communication design, implementation, development, exhibition concept, production, design and construction of a piece of furniture, creation of a consistent visual identity for the entire exhibition, graphics for the exhibition content, implementation, project management

VISUELL Scenography: Special exhibition: Anti Anti 2.0: A series of installation elements featuring black panels and white text; ribbons create a spatial structure and redirect the viewer’s perception.
VISUELL Scenography: Special Exhibition: Anti Anti 2.0: Close-up of an orange strap with a black buckle
VISUELL Scenography: Special exhibition: Anti Anti 2.0: A vertical installation featuring bright orange ribbons; attached to these are black and white information panels featuring typography

VISUELL is developing, in collaboration with Anti Anti 2.0 , an exhibition format combating antisemitism at the House of History Baden-Württemberg. The project challenges existing narratives and translates this engagement into a design that breaks with conventional modes of presentation and opens up new perspectives through direct dialogue. Eleven stations, which we are developing together with Jewish and Muslim participants, are integrated into the permanent exhibition and create a tension of ideas. Content appears directly alongside the object in the form of comments or questions, deliberately redirecting perception. 
Our design breaks away from traditional museum presentation formats. Bright orange ribbons and weights provide visual cues as a striking wayfinding system. They run through the space, marking the interventions and displaying the content in white on black or black on white. Through this deliberate intervention in the flow of the existing exhibition and the disruption of familiar paths, we create disorientation, drawing visitors out of their familiar patterns of perception. This allows them to refocus their attention. The ribbons with the information panels, which move gently through the air, demonstrate the sensitivity and topicality of the subject. The kettlebells translate the weight of the subject matter—which raises current questions about anti-Semitism, Jewish life and social responsibility—into a physical dimension. They refer to Fair Play as a social value. 
Analogue and digital media stations, listening stations and haptic modules expand the intervention with interactive touchpoints. Take-away content such as postcards and collectable stickers encourage engagement and provide lasting inspiration. A conspiracy generator, personal video formats and participatory activities make mechanisms visible and open up new perspectives.

VISUELL Scenography: Special exhibition: Anti Anti 2.0: Close-up of several orange ribbons stretched with weights;
VISUELL Scenography: Special exhibition: Anti Anti 2.0: Detail of a kettlebell and a floor stickerVISUELL Scenography: Special exhibition: Anti Anti 2.0: Individual station with kettlebell and resistance band; the physical weight translates social responsibility into a tangible dimension.VISUELL Scenography: Special exhibition: Anti Anti 2.0: Close-up of a text carrier with an orange ribbon in the background; VISUELL Scenography: Special exhibition: Anti Anti 2.0: Analogue media station with integrated modules; interactive elements enhance the exhibition with tactile touchpoints.VISUELL Scenography: Special exhibition: Anti Anti 2.0: Close-up of the listening station and typography; audiovisual elements allow visitors to experience the mechanisms behind conspiracy narratives.VISUELL Scenography: Special exhibition: Anti Anti 2.0: Analogue media station ‘Conspiracy Generator’ with integrated modules; interactive elements enhance the exhibition with tactile touchpoints.VISUELL Scenography: Special exhibition: Anti Anti 2.0: Close-up of a text carrier with an orange ribbon in the background; comments appear directly on the object.VISUELL Scenography: Special exhibition: Anti Anti 2.0: Detail of a take-away item such as a sticker or postcard; participatory content encourages sustained engagement.VISUELL Scenography: Special exhibition: Anti Anti 2.0: Digital media station featuring video content; personal perspectives open up new ways of seeing through dialogue.VISUELL Scenography: Special exhibition: Anti Anti 2.0: Typographic detail ‘Comment’ on a black backing; the content directly influences perception.VISUELL Scenography: Special exhibition: Anti Anti 2.0: Listening station with a telephone receiver; audiovisual installations allow visitors to experience the mechanisms behind conspiracy narratives.VISUELL Scenography: Special exhibition: Anti Anti 2.0: Floor markings on the topic of advice regarding anti-Semitism; information resources link the exhibition to real-world practice.VISUELL Scenography: Special exhibition: Anti Anti 2.0: Individual intervention element featuring a hanging ribbon and text module; part of the eleven stations that open up new perspectives within the permanent exhibition.